David Cann

Friday Night' through the high comedy of Sheridan's 'A School for Scandal' to the classical verse (not to mention the athletic sword-fighting) in 'Romeo and Juliet'.

Moving into television David appeared in many shows including 'Sapphire and Steel' and 'Grange Hill'. In between these, he worked in small fringe theatres, such as the Gate in Notting Hill and the Croydon Warehouse, where such heart-warming pieces as Barrie Keeffe's 'My Girl' showed his subtlety in the more intimate space of studio theatre.

In the mid-90’s David auditioned for a small part in a new type of comedy pioneered by Chris Morris. The resulting series, 'Brass Eye', was hailed as a major breakthrough in TV style; satirising TV itself. Morris subsequently asked David to join a small team to develop the award-winning BBC radio series 'Blue Jam' and, in 1999, some of this material was filmed for television as 'Jam'. It is for his work in this surreal and iconic series that David is best known.

Over many years David has developed a strong reputation working with new and emerging talent, helping writers to develop their scripts through workshops and rehearsed readings. This led to David working with young director Tamara Harvey who later asked David to take the leading role in Laura Wade's charming play about the Welsh poet WH Davies in the highly-praised production of 'Young Emma' at the Finborough Theatre in London in 2003.

For the BBC David became part of a notable storyline as Dot Cotton's cancer specialist in 'EastEnders' and again as Doctor Casper in the disturbing, futuristic drama-documentary 'If...we could stop the violence

David’s film work includes appearances in 'Run, Fat Boy, Run', 'Attack The Block', 'The Iron Lady', 'Greed' and 'Rebecca'. On television David has appeared in 'Spooks' and 'Psychoville', 'Silent Witness' and 'The Javon Prince Show', but more recently 'Sex Education', 'It’s Kevin', 'Sally4Ever', 'Sick Note', 'Killing Eve' and 'The Baby'.